The camera and lens combination for this experiential review is my Sony A6500 mated to a Nikon AF-S DX 17-55mm f/2.8 IF-ED zoom lens adapted via a Fotodiox Pro Fusion … Continue reading Perspective: Nikon AF-S DX 17-55mm f/2.8 + Sony A6500
The camera and lens combination for this experiential review is my Sony A6500 mated to a Contax G 45mm f/2.0 rangefinder lens. Unlike other vintage lenses, this combination requires the … Continue reading Perspective: Contax G 45mm + Sony A6500
The camera and lens combination for this experiential review is my Sony A6500 mated to a Zeiss Touit 32mm f/1.8 lens with a native E-mount. I am not a pixel-peeper; … Continue reading Perspective: Zeiss Touit 32mm + Sony A6500
I own a Fotodiox Pro Fusion mk II autofocus adapter and use it with a handful of compatible Nikon autofocus lenses. The adaptor has developed an dark history that is … Continue reading Fixing a bricked Sony A6500
Back in the days of film (“in the long, long ago”), every photographer talked camera systems. I learned to shoot on my dad’s Minolta system using his SRT-201 and stayed … Continue reading Used camera gear, different creative path
I received a comment the other day about the quality of a Voigtlander 40mm Nokton and whether or not it is worth the price it is commanding on the lens … Continue reading Wide Open Lenses on a Sony A7
Photography today is so centered stuff that quite often we forget to take pictures. If you follow the perspectives embedded in online opinions and reviews, this photograph should have been impossible; … Continue reading On shooting “Roundabout”
As I’ve blathered about in several posts, mirrorless photography — whether Micro 4/3, APS-C, or full-frame — opens the door to more creative options when it comes to optics. Since … Continue reading Using a Voigtlander 40mm Nokton on a Sony A7
