Perspective: Nikon AF-S DX 17-55mm f/2.8 + Sony A6500
The camera and lens combination for this experiential review is my Sony A6500 mated to a Nikon AF-S DX 17-55mm […]
Perspective: Nikon AF-S DX 17-55mm f/2.8 + Sony A6500 Read Post »
The camera and lens combination for this experiential review is my Sony A6500 mated to a Nikon AF-S DX 17-55mm […]
Perspective: Nikon AF-S DX 17-55mm f/2.8 + Sony A6500 Read Post »
The camera and lens combination for this experiential review is my Sony A6500 mated to a Contax G 45mm f/2.0
Perspective: Contax G 45mm + Sony A6500 Read Post »
The camera and lens combination for this experiential review is my Sony A6500 mated to a Zeiss Touit 32mm f/1.8
Perspective: Zeiss Touit 32mm + Sony A6500 Read Post »
The “look” of anamorphic video and photography intrigues me. There’s just something about distorted out of focus areas and ultrawide
Anamorphic “Moment” on an iPhoneX Read Post »
As I’ve blathered about in several posts, mirrorless photography — whether Micro 4/3, APS-C, or full-frame — opens the door
Using a Voigtlander 40mm Nokton on a Sony A7 Read Post »
Unlike the current crop of video-capable DSLR cameras from Canon and Nikon, the Panasonic Lumix GH1 with its micro 4/3
Lumix GH1, the independent filmmakers’ camera? Read Post »
One of the things I’ve noticed with my Lumix G1/Leica M-mount lens combination is that the lens can “overfocus” at
Lumix G1 and the Focus Challenge Read Post »